Buried in a Green Pucci Dress:
Marilyn is said to
have been buried in the green Pucci dress she wore while in
Mexico in February, 1962, shown at right.
Eunice visited the house on Fifth
Helena one more time before the funeral. On Tuesday, clothes
had to be selected for the services on Wednesday. Although
this was the task of Marilyn's half-sister, Bernice Miracle, Eunice
was called in by estate executrix Inez Melson to show the two women
where things were. The mortician was in attendance also, a
quilted satin folder across his arm on which to lay the garments.
The house seemed strangely silent as the party of four filed solemnly
into Marilyn's bedroom. Eunice walked over to the wardrobe
closet and pointed out the dresses. Mrs. Miracle began to sort
through them, a look of confidence on her face. The others
stood waiting for her choice.
"Where are the blue dresses?" Mrs.
Miracle finally turned to ask. "There are no blue dresses," Eunice
said. "No blue dresses? But that
was her favorite color. She always wore blue when I knew her."
"Not lately," Eunice replied.
Mrs. Miracle seemed at a loss, not
so sure at all anymore. "She always liked blue," she repeated
as she sorted through the rack helplessly. But it had been
several years since Marilyn and her half-sister had been close, and
that had been only for a brief while.
"Perhaps Mrs. Murray would show us
her favorite dress," Mrs. Melson said. Eunice stepped forward and took the
pale green Pucci from the rack. She could still see Marilyn
radiant in the dress at the press conference in Mexico City.
It was the dress about which Marilyn had quipped to reporters, "You
should see it on a hanger."
It was on a hanger now, and its
lines were straight up and down, formless all by itself.
Marilyn's own shape would provide the curves of her last garment.
Eunice walked across the room and
laid the dress on the queen-sized bed for the others to examine.
Mrs. Miracle and Mrs. Melson stood together at the foot of the bed,
Eunice on one side and the mortician on the other. Mrs.
Miracle approved the dress. She handed it to Mrs. Melson.
"This will do," she said.
History does not relate when
Marilyn discovered the brilliant colors and easy shapes of the
Italian house of Pucci. Founded in 1947 by Emilio Pucci, scion
of a venerable Italian Florentine family, the first designs Pucci
made were for skiwear, which is hardly surprising as he was a member of the
Italian Olympic ski team. From the first jewel colored prints,
inspired by motifs from the Italian Renaissance, to the ultimate
simplicity of little silk jersey shifts, Pucci was one of the
hottest looks of the early sixties.
Marilyn collected Pucci items in
multiples; if she didn't have a dress in every color, she certainly
had one in every other shade. She favored a palette of flesh
tones, of leafy greens or of shocking pinks and mauves with
occasional excursions into deep blues. Unlike her 'working' daytime
wardrobe, which was predominantly black, these were clothes for
Marilyn to play in, and by the beginning of the sixties had replaced
the natural colored chambrays, the capri pants and matching shirts
she had worn throughout the mid to late fifties. Looking at Marilyn's Pucci
wardrobe today, it is astonishing how contemporary it seems; the
feather light dresses cut as simply as T-shirts; the silk shirts in
brilliant colored jewel prints, designed to be worn, as Marilyn did
with simple white pants or with jeans, are of today, not of
yesterday.
Marilyn's Pucci wardrobe, on display at Christie's
prior to the 1999 Auction "The Personal Property of Marilyn Monroe."